Monkwood Studios
Created to Endure
Hello, my name is Monk.
Thanks for taking the time to explore our site.
We're excited to bring 20+ years of artistic exploration into one space. My apprentices and I wanted to share the work, the thoughts, and the elements that inspire us to create for fellow artists like yourself.
Some of you will say, "Well, that's not me — I just enjoy cool things others make." I beg to differ. There's an artist inside all of us - a creative spirit instilled by our Maker, to be discovered and used across a lifetime.
Our mission at Monkwood is to spark that in you, and to fan the flames for those already lighting beautiful idea fires in the world. We might make a desk for a Grammy winner, or a dining table where a child learns their ABCs.
The trees left us a gift in their wood — the means to make things that enrich our lives. We honor that gift with the best of our abilities. We make things that endure and grow with the humans who live with them. Then with the ones after. Wood keeps time better than we do.
Thanks for being here. We hope you enjoy your visit.
Monk
The maker
Artist. Builder. Monk.
I was born Brandon Muñoz, but my friends named me Monk at 13. They said I looked like a flying monkey whenever I launched off the sketchy ramps we built for our bikes and skateboards. Well, the name stuck, and so did the building.
I studied fine art at Otis College of Art and Design in Los Angeles, then went to work at Jim Henson's Creature Shop in Burbank — the studio behind some of film's most technically demanding characters. Building creatures that had to perform, not just exist, taught me early that craft is never the point in itself. It's what makes the vision survive.
Between 2003 and 2010 I served as a preacher, planting a church with my wife Pamela on the streets of Camden Town, London. Camden holds centuries in plain view — Victorian market halls, punks, drugs, tourists, and a canal running since 1816.
Working among people from every walk of life, in a place where history was built into the walls, gave me a particular clarity: that what you make for someone can outlast the moment it was made. That it can become part of their story.
I came back to the studio and haven't left. I work alongside my apprentices — men and women I've trained in my techniques and philosophy over the years, including my two sons, now grown and carrying the craft into their own creative fields. Pamela homeschools our four children down the street. I do this work for the glory of God and to express the beauty of creation. That is the honest answer to why.
I want to build things that stand the test of time — and become part of people's personal creative history.
The studio
An integrated Art Studio and Workshop
Monkwood Studios has been in the same building in downtown Fullerton since 2013 — a vintage industrial space that holds the memory of what it was and the energy of what it is. The tool wall is a twenty-foot great white shark built from reclaimed wood, every hand tool hung in its jaw. The workbenches are worn in. The floor is honest. It looks like a place where things get made because it is.
The studio sits in a community of builders and makers — an auto restoration shop next door, a furniture designer across the way, a welder who has been in the building since the early 2000s. The Magoski Arts Colony that once anchored this block ran its artwalk here from 2008 to 2018. Its spirit has not left. Monkwood carries it forward.
Monk's grandfather built things with more bolts than necessary and wood heavier than required — not out of excess, but out of love. That instinct runs through everything made here. Overbuilt. Considered. Made to outlast the people who made it.
The process
Carefully crafted by human hands
We build furniture in an art studio and create art in a woodshop.
The Monkwood Process — a film by Apprentice Noah Prince
Making a Megalodon Studio Desk - by Apprentice Liam Stander
The work, in the world
Built for a Creative Life
The people we build for are multi-disciplined makers. Grammy winners. Oscar-winning composers. Tony recipients. Actors. Filmmakers. Performers whose work will be here long after the trends around it have moved on. They come to Monkwood because they understand — the way makers always do — that the environment shapes the work. The desk you sit at every day is part of the process. // Tori Kelly photos by Ari Michelson
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Each one trusted us with the space where their best work happens. Visit our Client Collective page to meet more of them.
Client CollectiveIn their own words
Lived with, every day
“I had Monk build me a studio desk for my home studio. The whole process was terrific and he was extremely communicative. The end result was perfect, I could not be happier. Old school craftsmanship with terrific customer service. A+
Greg Marchese - PD88 // Denver, CO
Google Review
“We have had two pieces custom made for us by Brandon, each to fit a particular space in our NYC apartment: a desk and a cabinet. Both have been beautiful and quite reasonably priced. Couldn't be happier.
Karl J. - Desk and Cabinet // Manhattan, NYC
Yelp Review
“Brandon is amazing. He made a studio desk for me and I couldn't be happier. His craftsmanship is beyond compare. He is very focused on not only creating a unique piece of furniture that is beautiful and functional, but he engages with you (as the customer) every step of the way.
Eric A - SD88 // Bothell, WA
Google Review
Space to Think, Time to create
Our work is mostly made to order, apart from the singular art pieces.
Designed by Monk. Built in Fullerton by our collective of apprentices. We shipped everywhere.
Tell me about the room, the work, and the way you use it. I read every note myself.
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